Books and films about Dean/Bücher und Filme über Dean
Libros y películas sobre Dean/Книги н фильмы о Дине


Comrade Rockstar

Reggie Nadelson: Comrade rockstar

Comrade Rockstar: The Life and Mystery of Dean Reed, the All-American Boy Who Brought Rock 'N' Roll to the Soviet Union

Reggie Nadelson

Walker & Company (June 13, 2006), 352 pages, English, ISBN: 0802715559

Reggie Nadelsonová: Sodruh Rock'n'Roll

Sodruh Rock'n'Roll. Dean Reed. Příběn Američana, který přinesl komunistům Rock'n'Roll

Reggie Nadelsonová

CZ, 2005, ISBN: 80-7341-648-4

Reggie Nadelson: Comrade rockstar

Comrade Rockstar: Search for Dean Reed

Reggie Nadelson

Taschenbuch, englisch, 256 Seiten, 2004
ISBN: 0099465728

Dean Reed was an American and the biggest rock star in the history of the Soviet Union. He was so famous his icons were sold alongside those of Josef Stalin. Reggie Nadelson first saw him in 1986 on a TV chat show. Few people in the West had ever heard of him. Six weeks later Reed was found dead in a lake in East Berlin. Was he murdered by the CIA? The KGB? A jealous husband? Nobody knew. Commissioned to write a film about him, she chased the mystery of his life and death across America and Eastern Europe, her own journey mirroring his. For a quarter of a century, from 1961 to 1986, Dean Reed, his guitar on his back, took the music with him. He played 32 countries: his albums went gold from Bulgaria to Berlin. The Russians gave him a Lenin Prize. He was their American. Comrade Rockstar is not just the story of Dean Reed's progress from Hollywood starlet to Cold War Cowboy, but an account of the search that took Reggie Nadelson from Denver to Berlin, and from Hawaii to Moscow. As she travelled, the Berlin Wall was breached and Dean Reed became an increasingly alluring figure, his life an unrepeatable tale from the Cold War.

Reggie Nadelson: Comrade rockstar

Comrade rockstar: the search for Dean Reed

by Reggie Nadelson. Chatto & Windus, London 1991.
ISBN: 0701134720

An intriguing story about an American who became a rock star behind the iron curtain.

The Incredible Case of Comrade Rockstar

The Incredible Case of Comrade Rockstar

The story of Dean Reed

Arena, BBC2, 28 February 1992
Directed by Leslie Woodhead
Narrated by Reggie Nadelson
90 minutes


Ruth Anna Brown Victor Grossman Phil Everly
Peter Boyles Georgy Arbatov Johnny Rosenburg
Gerrit List Russell Miller Vladimir Pozner
Thomas Sindermann Egon Krenz Stan Oliner
Reggie Nadelson

Public Film Series: Amerika & the GDR 2013

Amerika & the GDR

The DEFA Film Library at UMass Amherst will welcome thirty international scholars from July 7-14, 2013 to participate in its seventh biennial East German Summer Film Institute. This year's Institute, held on the Smith College campus, will explore East Germany's filmic relationship to the USA during the Cold War. Film screenings, workshops and readings will explore how films crossed the East/West border, carrying cultural representations and enabling personal and professional relationships as well as economic transactions.

Public Film Series: Amerika & the GDR (poster)

Producer and author Reggie Nadelson (The Incredible Case of Comrade Rockstar) will introduce and discuss her film July 8, 2013 | Smith College Graham Auditorium | Northampton, MA.

DEFA & AMERIKA: Culture Wars, Culture Contact July 7-14, 2013


Vladivostok International Film Festival: Pacific Meridian 2011

Fall Fest Preview 2011: Vladivostok

[...] A new section, entitled Moving Forward, concentrates on experimental and challenging cinema, and will unspool Venice Orizzonti winner "Summer of Goliath" by Nicolas Pereda, among others. But cinephiles might be tempted most by the fest's retrospectives: unearthing some rarely seen features from the vaults of one of the Soviet Union's major production houses, "The Unknown Lenfilm" will almost certainly contain some treasures, while "The Best Rock Operas" will appeal to anyone who thinks rock ended with the arrival of punk. On a similar note, there's also a four-film showcase of music-themed works by British documentarian Leslie Woodhead, including "How the Beatles Rocked the Kremlin" (2009) and 1992's "The Incredible Case of Comrade Rockstar," about Dean Reed, the so-called "Red Elvis" of the Communist Bloc. And Liza Minnelli, hailed by fest organizers not only as a brilliant actress but as a "lady of surpassing beauty," will be on hand throughout, "inspiring the ninth edition of IFF Pacific Meridian with her august presence."

Variety 25.08.2011

The incredible case of comrade Rockstar

United Kingdom, 1992, 90 min
Section: Documentary. Music that changed us
Film allowed for any age
Screenings: Sept. 11, 2011, 16:50, 'Equator' hotel

The extraordinary story of Dean Reed, a pretty American pop singer. He was totally unknown at home, but from the 1960s until his mysterious death in 1986, Reed was the biggest star in the Soviet Union, known as the 'Red Elvis.' American writer Reggie Nadelson follows Reed's trail from Colorado to Moscow. Tom Hanks has bought the story for a feature film.

Director: Leslie Woodhead

When Lenin Met Lennon

TOL Talk: Up against melody, sex, and rhythm, the nomenklatura never had a chance.

by Andy Markowitz 2 September 2011

The Beatles never set foot in the Soviet Union, and their music was officially banned there throughout their life as a band. But the four lads from Liverpool had an enormous impact on a generation of Soviet youth turning them into cultural exiles in their own country and fatally weakening the foundation of socialist rule.

That's the premise of Leslie Woodhead's documentary How the Beatles Rocked the Kremlin, an insightful and nostalgic look at Soviet Beatlemania featuring recollections from Fab Four fans ranging from Russian rock stars to Deputy Prime Minister Sergei Ivanov.

One of the most distinguished figures in British nonfiction film, Woodhead comes at both sides of the subject as something of an authority. As a young TV researcher in the early 1960s, he shot the first footage of the Beatles in performance. Since the late 1980s he has worked often in the former communist world, producing documentaries on subjects such as the Soviet missile and space programs, the Srebrenica massacre, the Russian-American commentator Vladimir Posner, and American-born Eastern bloc pop idol Dean Reed.

Woodhead is at work on a book recounting the twisted and often surprising history of Western popular music in the USSR from the 1920s up through 1991. In this TOL Talk podcast, he talks about how the Beatles helped bring down communism and other tales from the annals of Soviet rock.

Podcast [Im Archiv der Dean-Reed-Website vorhanden.]

TOL 02.09.2011

Press review/Pressespiegel




Reggie Nadelson

Die Autorin aus New York ist durch eine etwas blauäugige, aber wackere Dean-Reed-Biographie aufgefallen und durch mehrere, qualitativ eher schwankende Kriminalromane um den New Yorker Cop Artie Cohen.

Thomas Wörtche im FREITAG 43/2005


Shouldn't Jim's term "detective biography" be changed to "defective biography" since that is what it really is?

Tony Williams, January 22, 2010

Isn't it weird that two Americans named Reed - John Reed and Dean Reed - became cultural footnotes in the history of the USSR. Reggie Nadelson's 'detective' biography of Dean, Comrade Rockstar (1991) is a compelling read.

Jim Greenhalf, January 21, 2010

There's a reason why there are several offers at amazon for this title at $0.01 -- it's a terrible book, narcissistic about the travails of the author more than anything substantive about Dean Reed.

Rock 'n' Roll Radical is the book to get. There are a few performances on YouTube, my favorite that shows his talent is a duo with one of the Everley Brothers in East Berlin.

And what a stupid comment by the reviewer in the official blurb, by one Joanne Wilkinson writing for the American Library Association: "an American whose politics were identical with those of a Kremlin bureaucrat." Guess that makes anyone radicalized by the horror of crushing poverty in Latin America easy to dismiss because a functionary in the competing empire is happy to point out the problem as well. The Cold War mindlessness dies hard. After all, that's why the bumpersticker "Who's Dean Reed?" is still relevant.

T.M. Scruggs,, November 13, 2009

Dean Reed's life is fascinating -- racing a mule across Colorado, getting a record deal from a random hitchhiker's tip en route to California, a hit record in Uruguay, living in East Germany, making cowboy films with Czech actors -- and this book unravels a fair amount of what's known of the elusive, enigmatic star.

The problem, for some readers (including me), is it's more a story of the author -- including some tired images of frightening Cold War-era border guards and bad hotels. Many of the Dean Reed quotes listed in the book actually are directly lifted from the early '80s documentary 'The American Rebel.' Often these are told as if discovered by the author herself (Reggie's a woman), going through Soviet TV shows and press clippings and translating from Russian. A little lazy.

Another tragedy of the book -- and Dean's life is ultimately cast as quite sad -- is how the author neglects to discuss, investigate, mention very many of Dean's works, particularly his music. There's talk of a Wounded Knee film he had hoped to create at the time of his mysterious death, but otherwise she dismisses his fairly interesting '70s pop songs in one swipe. You wonder if she had heard any. Again, a bit lazy.

Glad to have read it, and some will be happy enough to follow Reggie through the old Eastern Bloc, but it's a little light. I hope to get something meatier at some point.

Robert Edward Reid, Brooklyn,, December 25, 2008

I really wanted to like this book, but as it stands it is more about the author's search for Dean Reed than it is about Dean Reed himself. The author could have given more real detail about Reed, but instead she writes about her travels and the folks she meets along the way. You can read pages, almost chapters, and learn nothing about Reed. The book is dated, copyrighted 1991, and I was there in 1991 in the former Soviet Union, but the author practices her prose more than writing a biography. If you really want a Dean Reed biography check out "Rock and Roll Radical" by Chuck Laszewski.

Sorry Ms. Nadelson, your book is a dog.

WGS,, December 27, 2007

I agree with Irina's comment since I read the first version of COMRADE ROCKSTAR in 1991, viewed the Roberts documentary, and wrote "Dean Reed as Jack London" in the last issue of the JACK LONDON NEWSLETTER 21.1-3 (1988). This looks like a very interesting site.

Tony Williams, July 30, 2007

I read this book when it first appeared and wrote a damning letter to its author. It is little better than a smear job by someone who can not understand the sincere motivations which guided this talent and unfortunately led to his tragic end. Reed deserves much better!

Tony Williams, Carbondale,, July 29, 2007

The Rise and Fall of Dean Reed, American Communist Rock Star

The title got me the moment after I saw it. This book sketches out the life of Dean Reed, who went from being a potential star in LA of the 1950s and then moved to Chile to begin his rise to a superstar behind the Red Curtain in the 60s, 70s and into the 80s. Dean was a true believer in socialism and he fully supported the USSR and East Germany, and went so far as to defend the Berlin Wall and Communism during an interview with Mike Wallace for 60 Minutes. Finding that his career was sagging with Perestroika, he began to put together a movie about the Wounded Knee and had plans to return to the US. Then, in 1986 Dean died under very mysterious and strange circumstances, his death officially being ruled an accident.

Nadelson interviews all the main players in Dean's life and gives you a good taste of what it is. She also talks about what it was like to be in East Germany, USSR and the Czech Republic during the times she interviewed those people between 1988 and 1990. Weaving the threads of Dean's life between her travelogue, the book is very compelling and an interesting look into the fall of Communism and the rise and fall of Dean Reed. The book is well written and very easy to digest. I could hardly put it down since I wanted to know more about Dean. Some parts of Dean's life are skimmed over, especially his time in Latin America between 1960 and 1966, but the author admits she was more interested in Dean in the USSR and East Germany, where she was able to get more information and material for her book and where her main focus lies.

According to the book's last chapter, Tom Hanks has optioned it for a movie. So far, nothing has been done with it, although some of Dean's music is coming out in February 2007. If you want to read a look into a strange and fascinating life during some very interesting times, read this book.

J. Dilworth, Reno,, January 21, 2007

The curious tale of "rock star" Dean Reed

I was immediately attracked by the premise of the book: how does American Dean Reed end up in the USSR and later East Germany, and become a huge "rock star" in the Communist zone during the 70s and early 80s? I am a pretty big rock music fan, and I had never heard of Dean Reed until I read this book.

In "Comrade Rockstar" (333 pages), author Reggie Nadelson brings the life story of Dean Reed, and also writes a travel book of what her experiences were traveling in those countries in the late 80s (before the Berlin Wall fell) while doing research for the book. It is the research part that I have some doubts about, as the suthor brushes over large parts of Reed's life. (Compare this, for example, to the pain-staking reasearch done by Bob Spitz for his recent "The Beatles: The Biography" book...) That said, having visited the USSR myself in the mid-80s, I very much enjoyed the author's observations on how life was in the USSR and East Germany in the late 80s. My main criticism of the book is that it is never really clear to me how exactly Reed became such a big star in the communist block. Reed died in 1986 under mysterious circumstances: was it suicide? was it a KGB hit? some other sucpicious interference? The final conclusions on this from the author (which I won't spoil here) come across entirely reasonable and plausible.

Finally, it should be noted that this book was first published in England in 1991. Now 15 years later, it is released in the US as well. Why? Because none other than Tom Hanks has bought the movie rights to the book. We'll have to see if it ever does reach the silver screen, but in the meantime we now can at least enjoy the book for ourselves.

Paul Allaer, Cincinnati,, September 2, 2006

A Truly Intriguing Story About a Rock Star More Americans Should Know

'Comrade Rockstar' is a genuine page-turner. I literally couldn't put it down until I finished it. Ms. Nadelson paints a vivid picture of Eastern Europe ∧ Russia during the Cold War. She likewise gives readers a glimpse of the world of Soviet rock and roll. Music fans and history fans alike should love this book.

On top of all this is the compelling figure of Dean Reed himself. A product of 1950s America, this cross between Frankie Avalon and John Denver ended up being the biggest rock star East of the Berlin wall. Through Nadelson's studied though accessible prose, I came to feel like I knew Dean Reed - warts and all. Was Reed a Communist turncoat or simply a politically naive sucker who ended up being Mother Russia's pet American? By the end of 'Comrade Rockstar', you'll have the answer to this question. And as hard as resisting the urge to read ahead was, the real-life "cliffhanger" ending was worth the wait.

Reggie Nadelson has written a fine, balanced biography of a musician more Americans should know. I recommend it highly.

Bartleby the Scrivener, Mayberry,, July 26, 2006

The Biggest Rock Star Nobody Knows

Often, customers and coworkers at the Spendorama Department Store make me feel like Charlton Heston in "Planet of the Apes". When that happens, I save my sanity by spending my dinner break at a small bookstore in the mall.

It was there, among the stacks of sudoku books and manga anthologies, that I ran across the most intriguing biography I've read in a long time: Reggie Nadelson's Comrade Rockstar: The Life and Mystery of Dean Reed, the All-American Boy who Brought Rock n' Roll to the Soviet Union (Walker & Company, $14.95). I literally could not put this book down until I'd read the whole damned thing.

Dean Reed, Ms. Nadelson writes, started out typically enough. Born in 1938 to middle class parents, Reed was raised, "Leave It to Beaver"-style, in a small town near Denver, Colorado. In adolescence, the handsome lad discovered he could carry a tune and how this talent, when coupled with a guitar, could draw females like syrup draws flies. After spending a few summers honing his performing skills in local venues, Reed packed up his six-string and headed for Hollywood. Young Dean meant to be the next Elvis, or at least the next Ricky Nelson.

Arriving in California in 1959, Reed lived out the fantasy of countless show biz hopefuls. In short order, he snagged a recording contract with Capitol Records and a screen test with Warner Brothers Studios. To sharpen his budding acting chops, the WB enrolled the boy in a class taught by master thespian Paton Price, where Reed's fellow students included the Smothers Brothers, Jean Seberg and the Everly Brothers. The vaunted Warner/Capitol publicity machine began cranking out interviews with, articles about and 8" X 10" glossies of the star-in-waiting. Success seemed to be within Reed's reach.

But fate can be fickle. By 1961, hard work, Capitol and the WB had brought Reed nothing but one minor pop hit, a bunch of flops and a guest appearance on a now-forgotten sitcom. Just when he was ready to quit, Reed learned that one of his records was perched at the top of the charts in Chile. Yes, in South America. For the hell of it, Reed hopped a plane to Santiago to see what the fuss was about.

The crowd which greeted Dean Reed in Chile, writes Nadelson, made the throng that met the Beatles in New York in 1964 look pitiful by comparison. Seizing the day, Capitol Records sent Reed out on a concert tour of Chile, Argentina and neighboring countries, where he played to packed houses. Recognizing which side of the bread his butter was on, Reed learned Spanish and moved to Buenos Aires. Dean Reed records sold faster than those of any other rocker, including Elvis. Popular movies and a TV show followed. In Latin America in the early 1960's, this Colorado crooner was the king of rock n' roll.

If the story had ended there, it would've been no big deal. As David Hasselhoff can tell you, many American entertainers find success far from home. But under the tutelage of liberal activist Paton Price, Reed had developed a "conscience", as well as a desire to use his fame to help his fellow man. In South America, Nadelson explains, Reed witnessed widespread poverty and abuse of the poor by governments that were supposedly bankrolled by the United States. The experience radicalized the singer, transforming him into a left-winger and an outspoken critic of his native land. He incorporated political material into his act and often performed benefit concerts for like-minded organizations. Reed dubbed himself a "socialist". Stateside, the favored term was "pinko".

By the mid-1960's, Reed had been driven out of South America for his leftist beliefs. For a time, he settled in Rome; he put his acting skills and American looks to good use by starring in a series of Italian "spaghetti" Western movies. He was also active in the anti-Vietnam War movement. By the end of the decade, Reed had moved to East Berlin and into the apex of his career.

In the 1970's, Dean Reed was one of the Communist world's premier stars. His albums of American rock, folk and country standards were gobbled up like auditory forbidden fruit. His films and TV shows, many of which he directed himself, were received with similar enthusiasm. Reed was the first American rock singer to tour the Soviet Union, and he did so annually. The highlight of a Reed concert, Nadelson writes, was the point at which he'd venture out into the audience, serenade a young beauty and treat her to a peck on the cheek. Tame stuff in the West, for sure. But to the stoic Russians, it was delightfully risque. Imagine how teenaged Natasha must've swooned: "He's dreamy, talented and a loyal Marxist, too!"

Just when you think you know where this story is headed, Nadelson reveals another factoid that keeps you guessing. For example, Reed was a true-blue Red, a guy who rubbed elbows with the likes of Chile's Salvador Allende, Nicaragua's Daniel Ortega, Russia's Leonid Brezhnev and Palestine's Yasser Arafat all professed enemies of America. Yet, the singer held on to his U.S. passport, filed a tax return with the I.R.S. each year and publicly described himself as "a good American". Watching Nadelson sort through the many contradictions of Reed's life makes for an enriching reading experience.

If you want to learn more, and there's lots more, read Comrade Rockstar. I'm not revealing too much by saying that Reed is not able to give his side of the story. In 1986, the 48-year old died in in East Berlin. The official cause of death was "a swimming accident". Those who knew Reed well, though, rejected this conclusion outright and maintained that foul play of a political nature was involved. Today, all of Dean Reed's albums are out of print. And now, as then, he remains almost completely unknown in his home country.

Reggie Nadelson has told well the tale of a man who exemplified the pitfalls of vanity, idealism and misplaced loyalty.

John Left,, August 8, 2006

Three Chords That Shook The World

Not very well written, this book was apparently written and published about 15 years back, and now reissued with some minor updating by the author, based on Tom Hanks' interest in producing a movie version of Dean Reed's life. Author Nadelson, in an engaging foreward, thanks Oscar winner Hanks for making it all happen for her. But others will feel they are paying 2006 prices for a 1991 book, that feels like it was written under water by s wildly imaginative journalist who thinks her every musing worth capturing in stone.

She did an okay job in tracking down many who had known Dean Reed, even his mother, and legendary rock figures from the 1950s who had known like Phil Everly, and folks beyond the Iron Curtain. The truth is that Dean Reed was hardly well known in the USA when he defected, and the scandal might have been bigger if he had been a bona fide star but basically he was a nothing, a never was, and it took the combined talents of the Politburo and the Russian film studios to push Dean Reed into the big time. Nadelson cleverly observes that his astonishing resemblance to US actor Kurt Russell helped his career in Russia and East Germany. Reed made eight or nine movies, hard to come by in the USA. Not all of them were propaganda pictures, some of them mere "spaghetti Westerns," but all of them - at least the ones I've seen - have a certain charm, for Reed had the fragile screen presence of a Brandon de Wilde, you wanted to shield him from the troubles of this world.

In real life he was a serial cheater and a man with a priapic libido who made love to four women every day. Nadelson's biography would have been much better if she had seen fit to leave out the details of her "Wuest for Corvo" investigation, for her observations about her travels in Perestroika era Moscow reveal she's no Rebecca West; it's like watching someone's endless home movies about visiting a grim place.

Kevin Killian, San Fancisco,, July 18, 2006

Also nun gibt es auch die tschechische Übersetzung zu diesem Buch unter BB art Verlag. Ich war unlängst in Prag beim Frühlingstreffen mit Vasek Neckar und seinem Bruder Jan und dabei ist mir das Buch "Soudruh Rock'n'Roll" von Reggie Nadelson, org. "Comrade Rockstar" in die Hände gefallen. Diese Amerikanerin beschreibt darin den schweren Weg von 1986 bis 1991, um der Todesursache von Dean auf der Spur zu kommen. Sie bereist Moskau, Ost-Berlin, Prag und Hawaii. Dabei erzählt das Buch auch ein ganzes Kapitel von der Freundschaft von Vasek und Dean. Bin wirklich überrascht was für einen nachhaltigen Eindruck Dean Reed vor allem nach seinem zu frühen Tod hinterlassen hatte, dass sich sogar Journalisten auf Weltreise wegen ihm begeben.

Silvia Linhart, 23. Mai 2006

Comrade Rockstar

Back in the day, I was doing my bit to help Our Russian Friends take their full place in today's global economy by drilling the past participles, showing them how to stick their tongues out to pronounce "th" and extensive in-class use of find-a-words.

One day we were killing time consolidating new structures by asking and answering "Who's/what's/where's the [superlative] ...?" questions, one of which was "Who's the most famous person you've met?" One middle aged studentka, let's call her Olga, if for no other reason than that was actually her name, replied brightly:
D ..... ?
Din Rid!
.... ?
Diiiiiiiiiiiiiiiiin Riiiiiiiiiiiiiiiiiid!

Dean Reed, it turns out. The Red Elvis. The most famous American in the USSR. The man who took rock and roll behind the iron curtain. Friend to Phil Everly and assorted dictators, and maybe murdered by the Stasi. Well, maybe not. I recently read the very engaging Comrade Rockstar: In Search of Dean Reed by Reggie Nadelson.

Music, politics, showbiz, dreams fulfilled and dreams devastated. What's not to like?

Picture this. All American boy nicknamed Slim from Wheat Ridge Colorado sets out for Hollywood in the late '50s and somewhere along the way picks up a ragged looking hitchhiker. Bum says, hey, I've got contacts in the music biz out there. You give me a new pair of trousers and money for a hotel room and I'll pass on your name. Yeah, sure but Dean helps him out anyway. Turns out the guy knows Voyle Gilmore, primo producer at Capitol and suddenly Dean has a contract. Classic showbiz story, or what? The rest is hardly less remarkable. Off to South America to capitalise on a small pop hit he discovers two things: leftist politics and how he loves to be adored by a crowd. The Communist Johnny Cash is born.

Nadelson recounts her story of researching a BBC docudrama on Reed (which never happened) but the search becomes more personal as she seeks to untangle the contradictions across three countries. It's not a straight biography in that way, which is good and Nadelson's observations of Reed, his various women, fans, friends, assorted Communist Bloc hucksters are rather astute and often amusing. Her take on the politics is totally unsentimental thank god and since her journey covers the ten years up to and just after the fall of the Berlin Wall there's atmosphere to burn.

It's easy to be cynical about Reed. I mean, you've got a choice be a bit player on the Warners lot or feted as a god by half the world. Talk about selling out for success. I've got a Dean Reed CD and its competant, sometimes pleasant, soft rock. Even an Aussie connection with a cover of 'Rock & Roll I Gave You the Best Years of my Life' (but the Beatles medley is atrocious). He's got a nice voice, a nice face (if you like that square jawed Troy McLure thing) and wore cowboy boots, so exotic they may have seduced the Soviet Union all by themselves. But he could probably only be a star in that place and that time.

Still, being arrested a couple of times singing Victor Jara songs on the streets of Santiago is hardly the work of a complete opportunist.

Reed died "in mysterious circumstances" in the lake behind his home in East Berlin in 1986. Many are (were) convinced it was the work of the Stasi. Or the KGB. Or the CIA. Or all three. Or someone else. Anything but an accident or self-inflicted. Phil Everly dismisses the idea of suicide since "men who laugh like that don't kill themselves." Well, yeah Phil, they do. The real reason people can't accept it is that for such an extraordinary life, it is such an ordinary end.

If you don't know about DR already, you may soon since Tom Hanks bought the rights to this book. He's slated to play the lead but he's getting a bit long in the tooth and is anyway not the square jawed All American type you'd require. Me, I reckon there is only one candidate: TV's Ronn Moss.

Amanda,, February 2, 2006

The book I am reading is Reggie Nadelson's "Comrade Rockstar". It is enjoyable - and illuminating, but I have some criticisms of it. Nadelson has been quoted as saying, "I think he was pretty pleased with himself and he was a tremendous politically naive. I think he didn't get it and never got it and saw things exactly as he saw them for 20 years. I think he was very stubborn and very set in his ways."

Nadelson is a product of middle class radicalism, having grown up in Greenwich Village, New York. She states quite early in her book that she had "got over" her lefty roots. I guess as a well paid journalist and author and someone the system was working for, she could not see beyond her circumstances to see that Reed was a genuine voice of the oppressed. He sought celebrity, yes - like many young Americans in the 1950's - but when he found celebrity, it was with the oppressed peoples of South America - people oppressed by the country he was from and he wanted to do something about it. Politically naive? I would say a cosseted middle class reporter from Greenwich Village could be accused of that.

I would also say that Reed, who physically fought for and was jailed and deported for his revolutionary beliefs; was slandered and reviled by the right wing in the US, used his celebrity not to feed his face or ply himself with drugs, but to help free his fellow men from the slavery and oppression that is capitalism.

Unfortunately the rights of the movie of his life have been bought by none other than Tom Hanks. Again, I think the treatment of this icon of socialism will be harsh. Few of these self enriching stars and personalities criticise each other for greed and over indulgence (see the reverential treatment of the destructive, right-wing 'patriot' Elvis). However, prepare yourself to see a movie about a naive and self promoting proponent of the crumbling Soviet system - something, in my opinion, that could not be further from the truth.

Reed said of himself, "South America changed my life because there one can see the justice and injustice, or poverty and wealth. They are so clear that you must take a stand. I was not a capitalist, nor was I blind. And there I became a revolutionary."

Neil Scott,, January 22, 2006

Am reading now the book called "Comrade Rockstar: in search of Dean Reed" by American woman called Reggie Nadelson whose documentary of the same title I have seen (it was her English mate Leslie who nearly ate me alive when I disagreed with him that Dean commited a suicide!)

Dean and his life deserve a far better book than this one as the woman who wrote it is a rabid anti-communist full of narrow-minded prejudges about Soviet Union etc, even though she hasn't been there in Soviet days and has really no idea what it was like then. But of course, she THINKS she knows it all! How typical for a Westerner! The Western "democractic" value of "tolerance" apparently does not apply to people's chosen different life style and different system.

She also choses whom to speak to in Russia - there, she takes seriously only comments of those whom we called "otshchepenec" - "renegade". Obviously, they give her the answers that she wants to hear! And if any of her respondents give her not the answers she had hoped to hear, she simply disregards them by making all sorts of disgusting remarks.

Most of us loved Dean Reed exactly for who he was as a person and for his ideals and his struggle in combination with his talent, energy and charisma - but not simply for where he was from, and certainly not because we, "the uncivilized Russian savages" (that is how she sees us!), were looking up to "fantastic America", as she blatantly claims. Oh yes, there were certainly those who would sell their mother for a pair of American Levy's, but they were a tiny minority, while this lady represents them like "the voice of the nation"!

Why write about the man at all, if you hate so much everything he stood for and everything he was fond of?

Irina, 25.10.2004

Fehler, Hinweise etc. bitte an
Letzte Änderung: 2017-06-30